Wednesday, May 12, 2010

Swan Song Gallery presents






Jim Proctor: Botanical Fiction 2 May 1- June 6, 2010
With a reception for the artist
Sat May 8, 2:00-5:00




Maiden Rock, Wisconsin - Swan Song Contemporary Arts presents the first special exhibition of its 2010 season in Botanical Fiction 2, featuring new plant-based constructions by sculptor, Jim Proctor. On view from May 1- June 6, the exhibition opens Saturday, May 8, with a reception for the artist from 2:00-5:00, featuring live music by the Ukeladies. Botanical Fiction 2 is open during Swan Song’s regular hours, Friday, Saturday and Sunday from 10:00-5:00.
Jim Proctor came initially to the question of nature as a painter seeking to represent the landscape. For more than a decade, he has worked as a sculptor, making art from the natural components of the landscape itself. Today, Proctor is recognized as an advocate for biodiversity and a public artist addressing the challenge of invasive species to the urban and rural landscape. He is best known for his early advocacy of buckthorn removal and for several large temporary public art installations featuring 5-20 foot tall dandelion-like structures made entirely of buckthorn, the invasive shrub. Proctor was recently named a Volunteer of the Year by the Minneapolis Park and Recreation Board for his leadership in invasive species removal at Eloise Butler Wildflower Garden.
For his exhibition at Swan Song, the artists presents a series of diminutive sculptures made entirely from plant material—acorns, winged seeds, plant fibers, thorns and stems—all materials collected, deconstructed and recombined by the artist. Proctor’s impeccable re-construction yields biomorphic sculptures that appear to have grown of their own accord.  Some he endows with elements suggesting hair, teeth or nails; emulating the future animal that the plant will sustain and the fundamental interdependency of flora and fauna.
To capture our audience, Proctor installs each tiny sculpture in a specially designed glass covered case, recalling the “cabinet of curiosities” made popular by collectors, biologists and artists of earlier centuries. Proctor’s intention is not to isolate or hold hostage exotic specimens, but to draw the viewer’s attention back to the beauty and synergy of the organic world.
He acknowledges nature as his primary source and guide: “I feel a real affinity for the materials that I work with. Most of what I know about sculpture comes through my study of plant form,” he says. “It is increasingly urgent that humans can identify with the other species on our planet” he concludes.
Ultimately, Proctor seeks to address our dislocation from nature. In this he is aligned with contemporary artists and scientists who advocate for a re-engagement with the aesthetic of the biosphere.


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Swan Song Contemporary Arts is an ecoarts gallery on the Mississippi flyway presenting special exhibitions of contemporary art related to our appreciation for and relationship to the planet Earth. Swan Song also features an ongoing array of works by artists of regional and national reputation, including Judy Onofrio, Jennifer davis, Wayne Potratz, Amy Rice, Jeremy Lund, Dale Vanden Houten, John Pearson, Amy Sabrina, Kelly Connole, among others. The gallery is founded and directed by artist Cynde Randall, who also serves as artistic director of the Minneapolis-based non-profit called Bird x Bird (www.birdxbird.org <http://www.birdxbird.org/> ), an artist collective devoted to the stewardship of avian species and the ecoliteracy of human beings. Swan Song Contemporary Arts is located on the Great River Road, the east side of Lake Pepin, in Maiden Rock, Wisconsin, just 1 hour southeast of the Twin Cities. Gallery hours are Friday thru Sunday from 10:00-5:00, May through January; and weekends during March and April. Swan Song’s special exhibits rotate every 5 weeks, from May through January. For more information call Swan Song gallery director Cynde Randall at (612) 250-9222 or email at cynderandall@centurytel.net

Tuesday, December 15, 2009

Cynde Randall  The Swan in the Moon


Opening Reception, Saturday, December 19


December 19-January 23  2010 
Reception for the artist from 1:00 – 4:00


Swan Song Contemporary Arts presents its seventh special exhibit of the 2009 season in The Swan in the Moon featuring drawings and paintings by Maiden Rock artist Cynde Randall. The exhibition opens  The Swan in the Moon is on view during regular gallery hours: Friday, Saturday and Sunday from 10:00 – 5:00 thru December; Saturday and Sunday from 10:00 – 5:00 thru January and by appointment. 












Saturday, October 31, 2009

Thursday, October 29, 2009



Maiden Rock, Wisconsin – Swan Song Contemporary Arts presents its sixth special exhibition of the 2009 season in, Fugitives in the Field, featuring new work by painter, Julie Baugnet, including collaborative work by Baugnet and poet, Felip Costaglioli. Fugitives in the Field opens Sunday, November 8 with a reception for the artists from 1:00-3:00; with a reading, by Costaglioli, at 2:00P.M. The exhibition will be on view during regular gallery hours - Friday, Saturday and Sunday from 10:00 to 5:00 – and by appointment.

Fugitives in the Field features small and large scale oil paintings by Julie Baugnet, whose richly layered, figurative abstraction yields luminous fields of color, punctuated with discrete forms and fragments from nature. Birds and insects and plants occupy her compositions; collectively they testify to the beauty and fragility of the natural world.

Baugnet is aligned with the teaching of the great Hans Hoffman, who declared that nature is the source of all inspiration. In a very lush large-scale painting of a giant Hosta, entitled Francis Williams, Baugnet acknowledges the ever present inspiration of her husband, gifted garden designer, Carter Clapsadle. His gardens surround their home, providing Baugnet with a continual source pleasure and subject matter for her work.

Moved by many painters who came before her, Baugnet has been influenced, especially, by Paul Klee, with his floating cosmology of organic forms and Richard Diebenkorn, who fractured the logic of the picture plane; and by her travel to Italy, where she has studied and been inspired by the palette of many Sienese painters.

Often beginning with an underlying grid to map out the composition of her works, Baugnet builds color and imagery by glazing many layers of paint. Her process yields a palpable sense of depth. She locates her subjects across dimensional levels - some float on the surface; others are embedded in a glaze of earthy pigment. Through her unique approach to the picture place, Baugnet creates a poetic sense of space and time; conscious of life and death and the fleeting aspect of the material world.

Three works featured in Fugitives in the Field depict endangered species. In Loggerhead Shrike, Threatened in Minnesota Baugnet paints a magical glow around her lone subject and his perch. He reigns like an emblematic apparition who exists outside of time. The Shrike’s iconic power makes a challenge to our forgetting of species, and holds space for his place, in the future.

In a recent collaboration with poet, Felip Costaglioli, Baugnet presents Herculean Labors: An Aviary (Twelve Snapshots and a Diary) featuring series of twelve small-scale portraits of birds. In each, Baugnet personifies her avian subject, whose portrait is accompanied with poetic text about relationships, by Costaglioli. Aligning each subject with human position or concern, Baugnet and Costaglioli place dramatically different species on an equal par. In this, they assume a holistic understanding of the world where, indeed, all sentient beings are part of one web of consciousness.

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Julie Baugnet received her Master of Fine Arts Degree from the Minneapolis College of Art and Design. She has exhibited widely, both regionally and nationally, and is represented in numerous private and public collections, including Walker Art Center’s artist book collection, the Minneapolis college of Art and Design artist book collection, The Anchorage Museum of History and Art, and the University of Minnesota Children’s Hospital. The excellence of Baugnet’s work has been acknowledged through a variety of grants and awards, including a fellowship from the Atlanta Center for the Arts and a Jerome /MCBA Book Arts Fellowship. Baugnet serves as a Full Professor for the Art Department at St. Cloud State University. She lives and works in Minneapolis, Minnesota

Wednesday, October 28, 2009